Bob Marley One Love evaluate – Fearless performing is let down by a toothless script

In director Reinaldo Marcus Green’s reverential biopic of Bob Marley, the reggae singer travels to late Nineteen Seventies’ London along with his entourage to start work on a brand new album. “I wanna make a record that can shake up the place,” he vows, having just lately survived an assassination try in Kingston, Jamaica.

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Bob Marley: One Love doesn’t shake up the place. Produced in partnership with the singer’s household, Green’s well mannered and standard portrait of a trailblazing artist slips on a pair of child gloves to recreate a fertile interval when Bob Marley and the Wailers recorded the LP Exodus and captured the peace-loving spirit of the period with the track Three Little Birds and its infectious refrain, “Don’t worry about a thing, Cause every little thing gonna be alright.”

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Fans of Marley don’t want to fret about Kingsley Ben-Adir’s fearless portrayal of their musical hero. With a full head of cascading dreadlocks and thick Jamaican patois, the London born actor vanishes utterly inside his charismatic showman throughout electrifying live performance performances.

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The script shortchanges Lashana Lynch as Marley’s steadfast partner, who protests: “I have to be a wife and a soldier.”

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If Green’s image harnessed a few of that preventing spirit, we’d be jamming.

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Bob Marley: One Love is out now in cinemas

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