It's the good comedy debate.

With performers at Edinburgh's Fringe feeling the pinch from rising lodging, meals and gas prices, has the competition grow to be elitist?

"There's a definite economic barrier," comic Paul Chowdhry advised Sky News.

"Most of the people I speak to, throughout the years, say it's a very middle-class white industry. You very rarely see diversity in or at the Edinburgh Festival."

Simon Brodkin - the person behind Lee Nelson - agrees: "Great expertise goes to be ignored merely due to the prices concerned, and I believe it's unfair.

"I think there does need to be more support, and we do need to get a more well-rounded balance of performers, backgrounds, styles, different inputs, otherwise everything just gets bland."

Another barrier, in response to stand-up Bilal Zafar, will be the offers struck with some venues.

"Comedians can be scammed a little… you've got to cover quite a big guarantee of money in ticket sales before you make any profit, and that can be very high."

But it isn't simply performers this 12 months who're struggling. Promoters Assembly have offered exhibits at Edinburgh with among the largest names in comedy since 1981. It represents round 20% of your complete Fringe and its future is hanging within the steadiness.

Owed £1.2m for the work it did throughout Coventry's City of Culture celebrations from a belief which in February entered administration, the group's founder says they're solely right here now as a result of they've taken out an enormous financial institution mortgage to get via the competition.

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If they cannot get that cash again, William Burdett-Coutts, their creative director and founder, says he cannot see how they will be right here subsequent 12 months.

"The company is of local, national and international significance working with arts organisations from around the world.

"We have performed a big function within the growth of many world-class exhibits all through the years and have helped launch the careers of numerous family names, from Graham Norton to French and Saunders and plenty of extra.

"Assembly on its own plays to an audience equivalent to the live audience of Wimbledon and larger than Glastonbury - to lose that presence would be disastrous for the Fringe."

Drag artist and former refuse employee Joe Leather very practically could not afford to placed on his present Wasteman this 12 months.

"It is a frightening time because you want to be here for your art, but you still need to sell tickets to cover your costs."

With each penny counting, he says a small grant from the Keep It Fringe Fund made all of the distinction.

"Entertainment, storytelling, theatre needs to be open to everybody, regardless of their financial situation."

Paul Chowdhry: Family-Friendly Comedian, runs at Pleasance Courtyard till 28 AugustSimon Brodkin: Xavier, runs at Pleasance Courtyard till 27 AugustBilal Zafar: Imposter, runs at Underbelly, Bristo Square till 28 AugustWasteman runs at Assembly George Square Studios till 28 August